Works - HABIB REZAEI

Once Upon a day by the north sea, n13

Once Upon a day by the north sea, series, No.06

'Once Upon a day by the north sea' series, No.05

Once Upon a day by the north sea series, No.04

Once Upon a day by the north sea' series, No.03

Once upon a day by the North Sea- No. 03

Once upon a day by the North sea - No. 02

Once upon a day in the North sea series, No. 01

Habib Rezaei small transparent abstract works

'Discrimination' series, No.19

Habib Rezaei, An abstract work using black and grey marker on hardboard by Habib Rezaei

'Discrimination' series, No.18

Habib Rezaei, An abstract work using means of marker on hardboard by Habib Rezaei

'Discrimination' series, No.17

Habib Rezaei, An abstract work using black marker on hardboard by Habib Rezaei Iranian visual artist

'Discrimination' series, No.16

Habib Rezaei, An abstract work using black marker on hardboard by Habib Rezaei Iranian visual artist

'Discrimination' series, No.08

Habib Rezaei, An abstract work using black marker on hardboard by Habib Rezaei iranian visual artist

'Discrimination' series, No.09

Habib Rezaei, an abstract work using black marker on hardboard by Habib Rezaei Iranian visual artist

'Discrimination' series, No.10

Habib Rezaei, An abstract work using deep black marker on hardboard by Habib Rezaei iranian visual artist

'Discrimination' series, No.11

Habib Rezaei, An abstract work using deep Black marker on hardboard by Habib Rezaei iranian visual artist

'Discrimination' series, No.12

Habib Rezaei, An abstract work using deep black marker on hardboard by Habib Rezaei iranian visual artist

'Discrimination' series, No.13

Habib Rezaei, An abstract works using deep black marker on hardboard by Habib Rezaei iranian visual artist

'Discrimination' series, No.14

An abstract works using black marker on hardboard by Habib Rezaei, an Iranian visual artist

'Discrimination' series, No.15

Habib Rezaei (b.1979) is an Iranian artist based in Germany, whose practice unfolds through the fragile medium of transparency. Working predominantly in small-scale formats, Rezaei engages with the language of light and layering—not merely as aesthetic devices but as tools of resistance and remembrance. His works, often composed of oil on canvas or delicate works on paper, subtly reconstruct and disrupt traditional Iranian architectural motifs. Through a methodical yet intuitive distortion of geometric

patterns, Rezaei dismantles ornamental repetition, treating it as a metaphor for ideological stagnation and institutional rigidity.

Rezaei’s visual grammar draws heavily on the poetics of space and structure, yet within his transparent fields lies a persistent undercurrent of mourning—for a nation shaped by ongoing political trauma and collective sorrow. These works do not shout; they hover, whisper, fracture. They evoke the aftermath of events too complex for direct depiction, relying instead on temporal

fragility and spatial silence to suggest a form of institutional critique.

In Rezaei’s work, transparency becomes more than a material—it functions as both subject and strategy: a sensory veil through which memory, geography, and power are filtered. The interplay of order and disorder, symmetry and rupture, invites viewers into a space where repetition becomes warning, and ornament becomes message—a quiet but unyielding confrontation with authority and erasure.

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