The Aesthetic of Repetition
short about the recent works of Habib Rezaei at Mah Art Gallery in Tehran

As it appears in some sorts of science, e.g., geometry, The smallest and most fundamental semantic unit, X and Y axes, would shape a specific dimension for determining some slippery concepts.
All the lines are the same and also they are in relation to themselves, in their global relationship, and within a framework of axes precisely. No line is superior to another. No line takes precedence over another, all lines are at the same level of validity. there is Nothing that happened.
In regard to an accidental pattern structure, an anti-centric Fractal plurality and self-similarity have been formed.
On the other, there are no ups and downs in their Articulated axes, and naturally, this means repetition! thus, What appears to be during the first encounter with ‘repetition’ is ‘not to change’. Among people, we can see that difference means change and repetition means stability, But as Gilles Deleuze (1925-1995) does not identify these two as contradictory, ‘repetition’ is seen as the ground of change – we would be able to find myriad instances of it if we prob the rules that are embedded in the nature and science.
Overall, The ‘Repetition’ does not refer to sameness in order to formation the works, but they would shape by means of their powerful potential, some kinds of exquisiteness and novelty aspects which were produced by repetition.

Dr. A. Hakim